{"id":399,"date":"2020-11-23T19:34:39","date_gmt":"2020-11-23T19:34:39","guid":{"rendered":"http:\/\/sophie-cohen-psychologue.com\/?p=399"},"modified":"2021-04-04T18:47:10","modified_gmt":"2021-04-04T18:47:10","slug":"maison-docteur-edwardes","status":"publish","type":"post","link":"https:\/\/sophie-cohen-psychologue.com\/index.php\/2020\/11\/23\/maison-docteur-edwardes\/","title":{"rendered":"Hitchcock et la psychanalyse | <i>La Maison du docteur Edwardes<\/i>"},"content":{"rendered":"\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"La Maison Du Docteur Edwardes 1945 FRENCH DVD\" width=\"768\" height=\"576\" src=\"https:\/\/www.youtube.com\/embed\/FCVv3b-zw6s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Dans <i>La Maison du docteur Edwardes,<\/i> Hitchcock met en sc\u00e8ne une vision d\u00e9licieusement na\u00efve et joliment d\u00e9pass\u00e9e de la <em>psychanalyse<\/em>. Ce qui n\u2019enl\u00e8ve rien au charme de l\u2019\u0153uvre ni au g\u00e9nie du r\u00e9alisateur&nbsp;!<\/p>\n\n\n\n<p>Gregory Peck souffre d\u2019<em>amn\u00e9sie<\/em>, il risque d\u2019\u00eatre condamn\u00e9 pour un crime qu\u2019il n\u2019a pas commis. La <em>psychanalyste <\/em>Ingrid Bergman vole \u00e0 son secours. Sa mission consiste \u00e0 lui faire retrouver la <em>m\u00e9moire<\/em>, son <em>identit\u00e9 <\/em>et l\u2019assassin du docteur Edwardes.<\/p>\n\n\n\n<p>Gregory Peck et Ingrid Bergman sont, bien s\u00fbr, amoureux (<i>love at first sight<\/i>). Leur idylle, et la transgression d\u2019une r\u00e8gle fondamentale, n\u2019emp\u00eachent pas le <em>traitement<\/em>, au contraire. \u00ab&nbsp;<i>Croyez-vous que vous m\u2019aimerez quand je serai redevenu normal&nbsp;?<\/i>&nbsp;\u00bb, demande le h\u00e9ros.<\/p>\n\n\n\n<p>Ingrid Bergman poursuit Gregory Peck de questions insistantes destin\u00e9es \u00e0 r\u00e9veiller une <em>m\u00e9moire <\/em>endormie, \u00e0 retrouver un d\u00e9tail, une bribe d\u2019un <em>pass\u00e9 <\/em>disparu. Elle soumet son <em>patient <\/em>\u00e0 un <em>traitement <\/em>de choc \u2013 leur temps est compt\u00e9, ledit patient risquant la chaise \u00e9lectrique \u2013 en le pressant de se souvenir de ce dont il ne se souvient pas\u2026 jusqu\u2019\u00e0 la syncope.<\/p>\n\n\n\n<p>La <em>psychanalyste <\/em>comprend que son <em>patient <\/em>a form\u00e9 un \u00ab&nbsp;<em>souvenir <\/em>\u00e9cran&nbsp;\u00bb, sorte de protection contre un autre souvenir, excessivement douloureux. Ils partent alors \u00e0 la recherche de ce <em>souvenir d\u2019enfance<\/em>, cause de tous ses malheurs.<\/p>\n\n\n\n<p>Hitchcock met le r\u00eave du h\u00e9ros au centre de l\u2019intrigue&nbsp;: c\u2019est en le d\u00e9chiffrant que la <em>psychanalyste <\/em>d\u00e9couvre l\u2019identit\u00e9 du meurtrier. Le <em>r\u00eave<\/em>, rencontre d\u2019une pens\u00e9e consciente et d\u2019un <em>d\u00e9sir inconscient<\/em>, est bien ici la voie royale vers <em>l\u2019inconscient<\/em>\u2026<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Les d\u00e9buts de la psychanalyse<\/h2>\n\n\n\n<p>La <em>psychanalyse <\/em>des d\u00e9buts utilisait l\u2019hypnose, la suggestion ou la catharsis, comme m\u00e9thodes th\u00e9rapeutiques. Il s\u2019agissait de faire revenir \u00e0 la conscience un souvenir <em>inconscient<\/em>, d\u2019en lib\u00e9rer <em>l\u2019affect<\/em>, de faire parler le <em>patient <\/em>en lui faisant revivre l\u2019<em>\u00e9motion<\/em> v\u00e9cue. Ingrid Bergman se livre \u00e0 un exercice proche de ce que l\u2019on imagine \u00eatre la m\u00e9thode cathartique. Proche aussi de la suggestion, qui consistait en des sollicitations verbales insistantes, des id\u00e9es fixes impos\u00e9es au <em>patient<\/em>.<\/p>\n\n\n\n<p><em>Freud <\/em>part de la m\u00e9thode cathartique pour s\u2019en d\u00e9tacher. Il s\u2019aper\u00e7oit que les souvenirs oubli\u00e9s ne sont pas perdus mais qu\u2019une force, la <em>r\u00e9sistance<\/em>, les oblige \u00e0 demeurer inconscients. L\u2019<em>analyse<\/em> est cette travers\u00e9e des r\u00e9sistances. Tr\u00e8s sch\u00e9matiquement, la relation \u00e0 <em>l\u2019analyste <\/em>r\u00e9veille des <em>affects <\/em>de <em>l\u2019enfant <\/em>que nous \u00e9tions, ce qui entra\u00eene des r\u00e9sistances&nbsp;: ces <em>affects <\/em>avaient \u00e9t\u00e9 refoul\u00e9s, c\u2019est angoissant de les voir resurgir. La relation \u00e0 <em>l\u2019analyste<\/em>, qui est \u00e0 la fois un point de r\u00e9sistance et le levier du changement, permet au <em>patient <\/em>de traverser ces r\u00e9sistances pour mieux les d\u00e9passer.<\/p>\n\n\n\n<p><em>Freud <\/em>renoncera ensuite \u00e0 l\u2019hypnose pour aller vers l\u2019\u00ab&nbsp;<em>association libre<\/em>&nbsp;\u00bb, la parole spontan\u00e9e du patient.<\/p>\n\n\n\n<p>La <em>psychanalyse<\/em>, en construction, conna\u00eetra de nombreux remaniements, son initiateur n\u2019ayant de cesse d\u2019ajuster la th\u00e9orie \u00e0 la lueur de ce qu\u2019il observera aupr\u00e8s de ses <em>patients<\/em>. C\u2019est ce qui fait la richesse et l\u2019originalit\u00e9 d\u2019une discipline qui ne se fige pas dans un carcan dogmatique. La th\u00e9orie reste en \u00e9veil, la pratique est en mouvement.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=FCVv3b-zw6s\" target=\"_blank\" rel=\"noreferrer noopener\">Voir le film<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans La Maison du docteur Edwardes, Hitchcock met en sc\u00e8ne une vision d\u00e9licieusement na\u00efve et joliment d\u00e9pass\u00e9e de la psychanalyse. Ce qui n\u2019enl\u00e8ve rien au charme de l\u2019\u0153uvre ni au g\u00e9nie du r\u00e9alisateur&nbsp;! Gregory Peck souffre d\u2019amn\u00e9sie, il risque d\u2019\u00eatre condamn\u00e9 pour un crime qu\u2019il n\u2019a pas commis. La psychanalyste Ingrid Bergman vole \u00e0 son [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-399","post","type-post","status-publish","format-standard","hentry","category-blog"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hitchcock et la psychanalyse : \u00ab La Maison du docteur Edwardes \u00bb | Sophie Cohen, psychologue Paris 5e<\/title>\n<meta name=\"description\" content=\"Dans \u00ab La Maison du docteur Edwardes \u00bb, Hitchcock met en sc\u00e8ne une vision d\u00e9licieusement na\u00efve et joliment d\u00e9pass\u00e9e de la psychanalyse.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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